Monday, June 19, 2006

Nikolai Gógol: 1809 – 1852

"Nikolai Vasilyevich Gógol nasceu no dia 31 de Março de 1809, perto de Poltava, na Ucrânia do então Império Russo. Gógol cresceu no ambiente rural ucraniano, muito influenciado por tradições cossacas, até ter sido enviado para estudar em Nezhin, onde se destacou pela sua ironia, pelas caricaturas no teatro escolar e pelas suas contribuições em prosa e em verso para uma revista.
Em 1828 parte para São Petersburgo, onde tenta em vão empregar-se no serviço civil. Tenta também a sua sorte como actor, mas nunca passou das audições.Lembrando-se de um poema escrito na sua juventude, publica-o numa edição de autor que não é bem sucedida, pelo que queimará todos os exemplares impressos.
Depois de uma curta viagem pela Alemanha, onde gastou o pouco dinheiro que tinha, Gógol regressa a São Petersburgo e emprega-se como funcionário público. Entretanto, começara a contribuir com narrativas para alguns jornais, inspirando-se nas recordações de uma infância passada na província ucraniana. Foi assim que surgiram as oito narrativas que deram origem a dois volumes publicados em 1831-32 (“Noites no Monte à Beira do Dikanka”), responsáveis pelo sucesso repentino do escritor. Entre os seus admiradores contavam-se o poeta Aleksandr Púshkin e o escritor Sergey Asakov.
Desistindo da carreira burocrática, Gógol torna-se professor de História num internato de raparigas e, mais tarde, dá aulas na Universidade de São Petersburgo. A actividade literária do escritor intensifica-se a partir deste momento, surgindo livros como “O Retrato”, “O Nariz” e “Arabescas”. A comédia “Revisor” foi encenada pela primeira vez em 1836, a pedido especial do Czar, mas a sátira feita à corrupção burocrática levantou as vozes da imprensa reaccionária e dos burocratas, levando Gógol a mudar-se para Roma.
Com “Almas Mortas”, Gógol pretendia escrever uma epopeia da Rússia, à semelhança de “A Divina Comédia”. Contudo, sempre insatisfeito com o seu trabalho, reescreveu esta obra até à exaustão, só publicando o primeiro de três volumes (1842) e demorando dez anos a escrever apenas quatro capítulos do segundo tomo. Frustrado e convencido de que Deus lhe retirara a veia criativa e artística, Gógol instala-se em Moscovo naquela que seria a última fase da sua vida. Já nesta cidade, profundamente abalado pela morte da sua mulher, o escritor pede a um criado que queime o manuscrito completo do segundo volume da sua grande epopeia. Nikolai Gógol, consagrado ainda em vida como um dos mais importantes escritores da literatura russa, morreu num estado de semi loucura no dia 4 de Março de 1852, em Moscovo."
  • (Biografia publicada por Assírio & Alvim)

    Obras a Ler:

    Almas Mortas
    Avenida Névsky
    O Capote
    Diário de um Louco
    O Nariz
    O Retrato

Belgais - O Projecto de Maria João Pires

"Fundado por Maria João Pires numa região conhecida pelo nome de «Raia», a oeste de Portugal, o Centro de Belgais é a concretização de um projecto antigo, que corresponde a vários objectivos: proporcionar a artistas em formação ou consagrados um quadro excepcional e preservado, propício ao aprofundamento pessoal e a encontros estimulantes; desenvolver uma pedagogia da arte original e alternativa, fundada no respeito mútuo e na compreensão do ritmo de cada um; elaborar uma «filosofia» da educação; promover a difusão da cultura através da organização de espectáculos e concertos numa região pouco dotada neste plano; favorecer a criação artística através da oferta de estadias residenciais a jovens criadores; servir de local de reflexão e preparação para projectos artísticos de grande envergadura, ligados a uma difusão internacional."

The History of La Roque D'Anthéron Piano Festival

Over the past twenty-five years , the La Roque d'Anthéron Piano Festival has emerged as a mandatory event in the piano world. The world's greatest performers appear on the stage of the Parc de Florans, an open air auditorium where the music takes on a magical quality. Each year's programme includes other interesting venues as well. The La Roque d'Anthron Piano Festival offers, in addition, the opportunity to discover young performers and diverse styles of music, including classical, contemporary, jazz and electronic music.

The La Roque d'Anthron Piano Festival is the fruit of the encounter in 1980 between Paul Onoratini, mayor of a village of a few thousand inhabitants in the heart of Provence, and René Martin then a young intern in the Regional Cultural Affairs Office.Ren Martin was looking to create a piano festival and Paul Onoratini gave him his whole-hearted support.

In 1981, from the 10th to the 27th of August, the first notes were heard in the park of the Château de Florans, played by top pianists Martha Argerich, Krystian Zimerman, Soltan Kocsis and othersFrom its very first year, with only twelve concerts on the programme, the La Roque d'Anthron Piano Festival received the highest honours. The press at the time was already proclaiming the Festival as a mandatory venue both for pianists and music lovers, and nearly 9,200 spectators discovered the village of La Roque d'Anthron that first year..Artistic Director René Martin and President Paul Onoratini did not hesitate to take up new challenges.

The greats

Each year the Festival has widened its offering.The greats followed Radu Lupu, François-Ren Duchable, Kun Woo Paik, and Sviatoslav Richter. And there were great voices as well, like Barbara Hendricks, who was a special guest of the Festival in 1986 and 1989. In only a few years the Festival had become a must on the piano circuit. Everyone came, not only the famous, but young talents as well, rarely seen performers who had never before appeared in France, like Youri Egorov, Oleg Maisenberg, Janis Valkarelis, Lars Vogt, Steven Lubin, Nelson Goerner and Richard Goode, who gave their first French recitals at La Roque d'Anthron. In addition to the concerts, the musicians also offer lectures and master classes and participate in musical events, all with the same goal to create a special musical experience. By including little-known or forgotten repertoire, contemporary music and jazz, the La Roque d'Anthron Festival also risks controversy, all the better to celebrate the magic that is music.

Press release for the 26th International Piano Festival at La Roque d’Anthéron

Once again, it looks like 2006 is going to be a lively year. At a time when the whole of Provence is paying tribute to Cézanne for the centenary of his death, the Festival is celebrating several anniversaries: the hugely publicised 250th anniversary of the birth of Mozart, which is being celebrated worldwide, the 125th anniversary of the birth of Bélà Bàrtok and finally the 150th anniversary of the death of Robert Schumann… so there will be no shortage of candles to blow out!
The Festival, now in its 26th year, will take place from July 20 to August 22 amidst a unique atmosphere, which is specific to La Roque, where the conviviality, simplicity, the talent of the artists and the beauty of the surroundings all contribute to making the musical events such a success... 70 concerts spread over 34 days, an eclectic choice of music, young and up-and-coming artists, a worldwide first production and a host of new artists…!
Over the years, René Martin has attributed an increasing degree of importance to giving an opportunity to young talent, and, as a result, our summer nights are all the more tuneful. The Russian school of piano will be given pride of place with the two Russians Alexeï Volodine, Alexander Kobrin, the Ukrainian Alexander Romanovsky and the Siberian Denis Matsuev. Lise de la Salle, David Fray, Jean-Frédéric Neuburger, Iddo Bar-Shaï and Bertrand Chamayou (immortalised on a DVD produced in 2004 at La Roque entitled “Les pianos de demain”) will also be present, performing in the ‘Parc de Florans’. We will be playing host to Jonathan Biss, Simon Zaoui, a former pupil of the “Ensembles en Résidence” (which tours villages stretching from the Durance to the Alpilles in the summer), and we will also be introduced to Emmanuelle Swiecz, Davide Cabassi, Francesco Tristano Schlimé and the Polish artist Rafal Blechacz (the winner of the Fifteenth Warsaw Chopin Competition in 2005) for a Chopin evening on August 2 (at 9pm).
This year, there will be five ‘Piano Nights’, including two anniversary nights: Sunday, August 13, with a tribute to Bélà Bartòk, the night of July 29, a tribute to Robert Schumann and his passionate relationship with his wife Clara, and, of course, a Mozart night, which will close the “The Piano Sonatas” by Mozart played by Anne Queffélec and Jean-Claude Pennetier on Monday, August 14.
The delicate skills of the English Chamber Orchestra, the Sinfonia Varsovia and the Bilbao Symphonic Orchestra will be on display during five symphonic evenings. Chamber music will not be forgotten during the Festival with the baroque repertoires – played on period instruments (bass viol, harpsichords, gut strings etc) - and classical repertoires, which will include new ensembles, and notably the Zefiro Ensemble.With regard to the choirs this year, you can expect some intensely emotional moments! 80 men’s voices from Bilbao will fill the sweet air surrounding the ‘Etang des Aulnes’ on Tuesday, August 8 with the works of Wagner and Busoni. The Accentus choir and Laurence Equilbey will also be singing, for the third consecutive year, on August 4 and 5 at the Silvacane Abbey, with the Via Crucis by Liszt.
Whilst Mozart will be omnipresent throughout the summer, Lera Auerbach will be one of the ‘finds’ of 2006. This 33 year-old female composer will be playing both her own works and those of Moussorgski on August 3 (at 6pm). The duo Genova and Dimitrov, first-time guests at La Roque, will be celebrating the centenary of the birth of Chostakovitch on July 25 at 6pm… A worldwide first production of Messiaen’s “Fantasia for violin and piano” will be played by Momo Kodama and Isabelle Faust on Tuesday, August 16.
As far as jazz is concerned, the jazzmen who proved so popular in 2005 will once again be present, adding a few touches of swing to the beginning of the Festival, notably thanks to Bojan Z, Brad Melhdau and the Esbjörn Svensson Trio.
Last but not least, great international virtuosos such as Grigory Sokolov, Nikolaï Lugansky, Ivo Pogorelich, Lang Lang, Stephen Kovacevich, Richard Goode, Boris Berezovsky… or Marc-André Hamelin, Pierre-Laurent Aimard….and not to mention our loyal guests Emmanuel Strosser, Claire Désert, François-Frédéric Guy, Alexandre Tharaud and Jean-François Heisser…will all be present at this 26th Festival; a wonderful line-up that is not be missed!

Sunday, June 18, 2006

Lisbon Graffiti

The Piano